Every Day is a Good Day
The Visual Art of JOHN CAGE
At Kettle’s Yard, Cambridge
Before going to this exhibition I did not know anything about this artist/composer. Others told me to be prepared for something strange and very random. The pictures were hung randomly – at random heights and positions on the wall. Some so high that you could not see them. Some pictures were missing and there were big spaces with nothing on them. However, I liked it. It felt more homely, less sterile to me.
I really enjoyed this exhibition. I found the smoked effect fascinating and rather beautiful. The colours Cage uses were calming and a lot of his pieces had empty spaces within them – allowing them to breath in my opinion. Pieces that initially looked very simple were produced by several different print techniques and to me seemed hugely complex. I looked up the smoke technique on Google and this seems complicated, risky with little control over the result.
Some of his smoked pieces left me cold (Variations ll, 1991; Variations ll, 1991; Variations lll, No 18, 1992 and Variations lll, No 21, 1992 – all Smoked and branded monotype)
Some pieces – pencil on Japanese handmade paper – were so faint they were almost not there at all.
Overall I really enjoyed this exhibition. I found the pieces simple yet complex and challenging. The colours were calming and the compositions interesting and definitely random but that is how John Cage works.
I read the attached article following the exhibition which explained a lot of things! http://www.guardian.co.uk/artanddesign/2010/jul/10/john-cage-composer-drawings-exhibition
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